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Julia Sevenich's
Uncorked in the Alps
 
Anyone who has ever visited England knows that the phrase "a nice cup of tea" means so much more. It is an irreplaceable moment that is as calming and soothing as it is encouraging and invigorating, and one emerges all the wiser and more competent for it. In 1946, George Orwell wrote an article for the Evening Standard in which he set out eleven rules for making a "nice cup of tea". Tea drinkers are an opinionated folk, each devotedly preening his or her own idiosyncrasies --- and Mr. Orwell is no exception. I, on the other hand, am completely unbiased and disagreeing with both the honorable Mr. Orwell and our own distinguished Daniel Rogov right here on Strat's Place on several points, I shall post my own golden rules for brewing a pot of tea.
1. There are various processing methods for tea producing six main types: white, green, oolong, black, scented, and compressed. Excellent qualities are available in all categories with at least 3,000 different sorts of tea available world wide. There is no need, like Mr. Orwell, to limit one's self to only black teas from India. Important is the quality of tea, that it is loose leaf, and that it has been carefully stored. It should be stated here that the quality of tea available in tea bags has greatly improved over the past years. Despite their convenience there remain some disadvantages. Tea bags often release too much tannin because they contain smaller pieces of leaf and lack the fine subtlety of larger loose leaf tea. Tea bags also loose their flavor more quickly. Despite this, good quality tea bags are indispensable for the traveling tea connoisseur.

2. The quality of water for brewing tea is also of utmost importance. Fresh spring water is the best, while soft water, permanently hard water (containing CaSo4), or distilled water are acceptable. Tap water containing chlorine and fluoride that tastes like a swimming pool or temporary hard water (containing CaCo³) are completely unsuitable. With inferior water the tea will not only be dull and flat, if let to stand for only a short time a scummy film will form on the surface.

3. Tea should be made in a suitable teapot. A pewter pot is excellent for strong teas such as Ceylon, African, and Assam. Porcelain or china are ideal for lighter teas such as Darjeeling, oolong, and green teas. Another consideration is the Yixing teapot made of unglazed stoneware which keeps the tea hotter than porcelain and with time acquires a lining which gives its own flavor to the tea. One should have a different pot for each sort of tea and should never use soap, only fresh clear water to clean their interior. The teapot should be warmed in advance. This is easily done by filling it with freshly boiled water and emptying the teapot shortly before brewing the tea.

4. Tea should either be put directly into the emptied, pre-warmed teapot or into a suitably large infuser in the pot. Small tea infusers such as a tea ball do not give the leaves enough room or enough contact with the water. A swiss gold tea filter or other large infuser is a better solution. One teaspoon of tea per cup plus one for the pot is the general rule for portioning, but this will vary according to the type of tea and personal taste.

5. To bring out the full flavor of tea, plenty of oxygen should be in the water. Black and oolong teas should be infused in water that has just come to a rolling boil --- take the teapot to the kettle. You can leave yourself a little more time (take the kettle to the pot, make some toast, read the front page, etc.) with white and green teas for these types generally prefer water between 70° and 95°C for temperature recommendations for individual teas, ask your knowledgeable tea merchant.

6. Stir the tea or give the infuser a few vertical plunges. Put the lid on the pot or over the infuser and leave to brew for the correct number of minutes, depending on the type of tea (again, you may ask your well-informed tea salesperson). If using an infuser, lift it out of the teapot. If the tea leaves have been put directly into the pot, decant the liquor into a second warmed pot. This will keep the tea from becoming over-extracted and bitter. The tea leaves may be use again for a second pot of tea.

7. Just as with wine, the enjoyment of tea includes the appreciation of color and scent. The delicate light golden liquor and green muscatel perfume of a Castleton first flush, the rich red color and smoky fragrance of a Lapsang Souchong, the bright yellow-green and subtle scent of a Gyokuro, or the dark translucent amber liquor and malty full-bodied aroma of a Napuk are just a few examples from an entire world of culinary enjoyment. Adding milk to a cup of tea destroys the very first impression and a bright translucent liquor with many different hues telling of its geographic heritage and production methods is turned into an indistinguishable murky mud.
The habit of putting milk and/or sugar in tea should be reserved for children or for nasty, poor quality teas that are otherwise undrinkable. Should one for some other reason feel absolutely predisposed to put milk in tea, it should be remembered that this severely spoils the flavor of all but the most robust teas. Should one decide to cloud one's tea with milk, whether the milk or tea is poured first is purely a matter of personal preference. There is some logic to pouring the milk first in order to reduce the risk of scalding the milk, which would make it even more unpleasant.

8. A pre-warmed bone china teacup with a handle is my own personal preference for enjoying a good cup of tea.

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